By Joel Faflak, Julia M. Wright
The guide to Romanticism Studies is an available and indispensible source delivering scholars and students with a wealthy array of ancient and up to date severe and theoretical contexts for the learn of Romanticism.
* specializes in British Romanticism whereas additionally addressing continental and transatlantic Romanticism and previous periods
* makes use of key words comparable to mind's eye, chic, poetics, philosophy, race, historiography, and visible tradition as issues of entry to the examine of Romanticism and the theoretical matters and the tradition of the period
* Explores issues valuable to Romanticism experiences and the severe traits of the final thirty years
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Additional info for A Handbook of Romanticism Studies (Critical Theory Handbooks)
Abrams distinguished Romanticism from the Enlightenment because it offered a revolutionary expressive theory of art instead of a mimetic one: against Locke’s metaphor of the mind as a mirror, the Romantics conceptualized the mind in terms of a lamp that is “bathed in an emotional light he himself [sic] projected” (52). This theory enabled Abrams to show that whereas previous writers had made the world central to the work of art, Romantic writers made themselves central to the work of art. In terms of his concept of the imagination, Abrams emphasized a gap between mechanical fancy and the organic imagination (ch.
Throughout the first third of the nineteenth century, sensibility continued to flourish. The “affectional poets” of the period between 1800 and 1835, as Marlon Ross shows, composed ambitious, popular historical works in verse, relying on a concept of “suffering action”; sensibility was “newly expressed in a public form” that engages with and influences the canonical Romantic poets (13, 287). Sensibility is both easy to find and hard to pin down – easy to find, because the pros and cons of sensibility were a matter of obsessive interest in the nations, colonies, and former colonies of Britain and Europe.
How did the imagination have material effects? While blaming the maternal imagination for causing the defect became suspect, one could still blame the mother for believing in the powers of her imagination to have such effects, and then the beliefs might have those effects. v. Imagination). The imagination’s material effects were also imagined in terms of metaphors of galvanism and electricity, metaphors that provided especially flexible kinds of Imagination 33 materiality. William Belcher, MD, in Intellectual Electricity for example, not only equated the nervous and electrical fluids, but also named “Oxygen, or Electricity” “the vehicle of the soul” (20).